HuffPost, March 31, 2017. A review of James Griffith’s tar paintings. Instead of depicting nature, Griffith works with nature itself, extracting images of the milky way, flora and fauna out of tar so that his paintings exude life. Rather than making paintings of nature Griffith’s artwork behaves like nature – recalling Jackson Pollock’s famous comment ” I...
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Monthly Archives: March 2017
Lisa Adams’ Fictious Worlds @ CB1 Gallery and College of the Canyons Gallery
HuffPost, March 22, 2017. Lisa Adams’ idiosyncratic paintings are interior monologues. Her paintings are a hybrid of representation and abstraction,landscape and still life, surrealist and dystopian imagery that blur so many genre lines, they defy categorization.Adams paintings play with anomalies that are disturbing, eccentric and quirky – rather like Tim Burton’s movies. Her paintings are fictitious worlds...
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Andy Moses’ Kinesthetic Paintings: A 30-Year Survey @ S.M.C’s Pete and Susan Barrett Art Gallery
HuffPost, March 17, 2007. For Andy Moses , nature is the greatest artist. He says, ” I always wanted to make paintings that didn’t emphasize the painter – to get to a natural phenomenon that is so organic that the paintings feel like they created themselves.” Moses explores different optical perspectives of nature drawn from...
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Rachel Lachowicz, Feminist Mimesis: Lay Back and Enjoy It @ Shoshana Wayne Gallery
Huffington Post, March 7, 2017. Review of Rachel Lachowicz’ exhibition at Shoshana Wayne Gallery. Lachowicz makes her “mark” in art history with her signature red lipstick in a feminist intervention that translates seminal artworks by leading male minimalists into feminine ecriture. Link: http://www.huffingtonpost.com/entry/58be54ece4b0ec3d5a6ba22a...
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